"This is the story of a woman evolving. Which sometimes can come with a lot of pushback. Country music fans tend to like things in small, edible bites. There’s no doubt that McHone is beautiful, or that she can play well, or that she can write a good song. But now, she’s ready to prove that she has something to say."
-Dive Star Bar Rachel Hurley
"In a city full of transplants, McHone is a rare Austin native, having first hit the barroom stages of her hometown at 16 years old. "People call us unicorns," she says of her local roots. On her still-untitled follow-up to 2015's Goodluck Man, though, McHone looks beyond the Lone Star State, taking inspiration from the road – where she plays more than 150 shows a year – as well as the Tennessee capital. Recorded in Nashville with longtime Spoon producer Mike McCarthy, the new album promises to be fuller and fresher-sounding, leaving throwback honky-tonk music to McHone's contemporaries and, instead, fully embracing the modern."
(Carson McHone) a purveyor of no-cheese, no-bullshit honky tonk..... a well-deep voice, crackerjack backing band, and salty song titles like “Dram Shop Girl” and “Maybe They’re Just Really Good Friends” do wonders for the imagination.
-Don Caffrey Consequence of Sound
"Carson McHone’s 2015 debut full-length, Goodluck Man, established the native singer-songwriter as one of the capital’s rising country stars, but she’s got broader sights set for her follow-up. She began working with producer Mike McCarthy almost two years ago when he still lived here, and recently finished recording at his new Nashville studio. It breathed new life into these songs, which pushed in all kinds of different directions. It doesn’t sound like throwback country, because I didn’t want to make that kind of record. Yet it’s not a departure, really. I think it just sounds a little more mature.”
- Doug Freeman Austin Chronicle
"The ongoing battle over the soul of country music seems like a necessary activity that tends to overstate the danger that commercialism poses. Time and time again, country music has demonstrated its ability to absorb folk, rock, country-rock, schlock, disco, patriotism and regionalism, and young singers continue to discover new ways to syncretize the music of Williams and Wells with pop without pandering to the let’s-save-country ideologues.
Hailing from ostentatious Austin, Texas, singer Carson McHone is a young country singer who expresses herself through the form while avoiding the formalism that etiolates the work of many country purists. In other words, she controls an aching break into her head voice that marks her as a stone country vocalist, and her 2015 album Goodluck Man brims with tunes that evoke the spirit of early-’70s country without wandering off into retro. McHone has been working on a new album in Nashville with Spoon producer Mike McCarthy — let’s hope it’s commercial as hell."
- Edd Hurt Nashville Scene
Margaret Moser of the Austin Chronicle credits the songwriting of the six original tracks on McHone's 2013 EP with a "curve-ball edge…songs such as 'Pale Blues' resonating with the confidence of a veteran" - Austin Chronicle Margaret Moser
Under the X in Texas host, Ted Branson of KOOP Radio, assures, "Carson McHone is a breath of fresh air in a town full of Texas songwriters who all try for the sound she was born with and presents confidently in an easy, natural way."
In 2014, Carson sang on "Chick Singer Badass Rockin" on Ray Wylie Hubbard’s new CD. Of the delivery, he said, “… I wanted a woman Keith Richards sloppy rock thing and she went there like she was him before the blood transfusion…plus she writes songs like her life depends on it…”